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Holy Grail

Average rating: 4.2 (15× ratings)

Drum Roll Please…We now introduce THE HOLY GRAIL KUSH!! All of us growers have been searching for the one plant, if you had to pick only one, to have with you on a deserted island... Well the search can be temporarily suspended. DNA presents the cannabis community with the 2 time Cannabis Cup Champion, Kosher Kush, crossed with the Multi-Champion strain, The OG #18, bringing you... The Holy Grail Kush! This cross produces large resinous buds that reak of OG #18/Kosher goodness!! New, or fairly new, carbon filters are highly recommended as the smell can be over powering! The Holy Grail is great for the beginner as well as the Master grower. The experienced growers can take her to the limit, pushing the nutrient uptake to the very edge and being rewarded with insanely aromatic plants with the strength and yield not to be matched! The Holy Grail will demand the highest price of all the OG Kush hybrids. Several High Times staff were heard talking of how superior the Holy Grail Kush was in looks, smell and taste. Far out performing ALL other entries in 2011 HTCC to take First place with a first ever perfect score!! Now the world can try The Holy Grail Kush! 1st Hybrid HT Cannabis Cup 2011 2nd Indoor Hydro Spannabis 2012.

Fundamental parameters

Information about the origin and the life cycles of plants

Type
mostly indica
Indoor flowering time
9 weeks
Genetics
Kosher Kush x The OG #18
Breeder
DNA Genetic
Country
Netherlands

Indication

What difficulties can help this variety

Effects

As this variety will be affect on you

Diskuze

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Forest (not verified)
9 years 1 month
Directory enquiries homework websites for teachers We took a car. The thing that Hwin was keen for me to understand about his life that week was that it wasn’t really his. For the past several days, he’d been doing a “life swap” with Stephan Jenkins, the lead singer of the alternative-rock band Third Eye Blind. Jenkins has a large and lovely house in Pacific Heights, but his charmed life in San Francisco’s old-money district wasn’t helping him write fresh and edgy music. So Hwin would occupy Jenkins’s Pac Heights studio for a while, and Jenkins would inhabit Hwin’s small, dormlike room in the Sub. (“It’s at the intersection of the gentrification on Valencia and the gritty, hard, dug-in city life,” Jenkins said. “People are walking around with knives.”) Hwin asked me whether I wanted to maybe head over there—it was a pretty sweet place, and Jenkins had hella guitars and shit—and I said sure, and so he called us a Lyft, the app-based car service that’s overtaking San Francisco’s weak cab system. When the car didn’t show up right away, Hwin wondered whether we should try to hail a taxi after all, but finally it appeared, a little white sedan with the furry pink mustache on the dashboard, and we got in and introduced ourselves, because Lyft drivers aren’t professional drivers, just people doing it in their spare time. Hwin asked the driver whether she had an auxiliary feed into her stereo. She did. He gave her his phone, and an electronic ballad started throbbing from the car’s front speakers.
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Devon (not verified)
9 years 1 month
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